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One of America's most powerful and original dramatists, August Wilson offered an alternative history of the twentieth century, as seen from the perspective of black Americans. He celebrated the lives of those seemingly pushed to the margins of national life, but who were simultaneously protagonists of their own drama and evidence of a vital and compelling community. Decade by decade, he told the story of a people with a distinctive history who forged their own future, aware of their roots in another time and place, but doing something more than just survive. Wilson deliberately addressed black America, but in doing so discovered an international audience. Alongside chapters addressing Wilson's life and career, and the wider context of his plays, this 2007 Companion dedicates individual chapters to each play in his ten-play cycle, which are ordered chronologically, demonstrating Wilson's notion of an unfolding history of the twentieth century.
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"Providing a detailed portrait of American playwright August Wilson (1945-2005), this collection of new essays explores the development of the author's ethos across his twenty-year creative career. "--
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"The development of the documentary trial play in late-twentieth-century American theater From the Chicago Conspiracy Trial and the O. J. Simpson trial to the Clarence Thomas/Anita Hill congressional hearings, legal and legislative proceedings in the latter part of the twentieth-century kept Americans spellbound. Situated on the shifting border between imagination and the law, trial plays edit, arrange, and reproduce court records, media coverage, and first-person interviews, transforming these elements into a performance. In this first book-length critical study of contemporary American documentary theater, Jacqueline O'Connor examines in depth ten such plays, all written and staged since 1970, and considers the role of the genre in re-creating and revising narratives of significant conflicts in contemporary history. Documentary theater, she shows, is a particularly appropriate and widely utilized theatrical form for engaging in debate about tensions between civil rights and institutional power, the inconsistency of justice, and challenges to gender norms. For each of the plays discussed, including The Trial of the Catonsville Nine, Unquestioned Integrity: The Hill/Thomas Hearings, and The Laramie Project, O'Connor provides historical context and a brief production history before considering the trial the play focuses on. Grouping plays historically and thematically, she demonstrates how dramatic representation advances our understanding of the law's power while revealing the complexities that hinder society's pursuit of justice. "--
PERFORMING ARTS / General. --- PERFORMING ARTS / Theater / History & Criticism. --- Trials in literature. --- Literature and history --- Theater --- Historical drama, American --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History --- Production and direction --- History and criticism.
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"Understanding August Wilson provides readers with a comprehensive view of the thematic structure of Wilson's plays, the placement of his plays within the context of American drama, and the distinctively African American experiences and traditions that Wilson dramatizes."--BOOK JACKET. "In this critical study Mary L. Bogumil argues that Wilson gives voice to disfranchised and marginalized African Americans who have been promised a place and a stake in the American dream but find access to the rights and freedoms promised to all Americans difficult. The author maintains that Wilson not only portrays African Americans and the predicaments of American life but also sheds light on the atavistic connection African Americans have to their African ancestors. Bogumil explains that the playwright both perpetuates and subverts the tradition of American drama in order to expose the distinct differences between the white American and the African American experiences."--Jacket.
Historical drama, American --- African Americans in literature. --- African Americans in literature --- American Literature --- English --- Languages & Literatures --- Afro-Americans in literature --- Negroes in literature --- History and criticism. --- History and criticism --- Wilson, August --- Kittel, Frederick August --- Criticism and interpretation.
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"After August argues that August Wilson was foremost a bluesman working in drama, and that recognizing his blues techniques reveals American drama's fascination with the process of defining the self in collaboration with community. The book reads Wilson's Century Cycle plays alongside the cultural history of blues music, as well as the work of Eugene O'Neill, Tennessee Williams, Katori Hall, Lynn Nottage, and Suzan-Lori Parks, examining these dramatists' efforts to establish a sustainable identity for the self within social terrain that is often oppressive of racial, gendered, and sexual identity"--
American drama --- Identity (Psychology) in literature. --- Blues (Music) in literature. --- African Americans in literature. --- Historical drama, American --- Afro-Americans in literature --- Negroes in literature --- History and criticism. --- Wilson, August --- Criticism and interpretation.
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American historical drama --- Amerikaans historisch drama --- Engels historisch drama --- Engels historisch toneel --- English historical drama --- Filmscenario's --- Historical drama [American ] --- Historical drama [English ] --- Historisch drama [Amerikaans ] --- Historisch drama [Engels ] --- Motion picture plays --- Moving-picture plays --- Photoplays --- Scenarios --- Scenarios (Cinéma) --- Screenplays --- Scripts (Motion pictures) --- Théâtre (Genre littéraire) historique américain --- Théâtre (Genre littéraire) historique anglais --- English drama --- Historical drama, American. --- Historical drama, English. --- Motion picture plays, American. --- Motion picture plays, English. --- Rome --- History --- Empire, 30 B.C.-476 A.D. --- Drama --- 19th century --- 20th century
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African Americans in literature --- Afro-Americans in literature --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Black Americans in literature --- Negroes in literature --- Noirs américains dans la littérature --- Zwarte Amerikanen in de literatuur --- Historical drama, American --- Théâtre historique américain --- History and criticism --- Histoire et critique --- Wilson, August --- Criticism and interpretation --- Critique et interprétation --- Noirs américains dans la littérature --- Théâtre historique américain --- Critique et interprétation --- Criticism and interpretation. --- Historical drama [American ]
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Literature and history --- Historical drama, American --- World War, 1939-1945 --- Holocaust, Jewish (1939-1945), in literature --- Judaism and literature --- Jews in literature --- History --- History and criticism. --- Literature and the war --- Tabori, George, --- Dramatic works --- Knowledge --- Tabori, George --- Literature and history - United States - History - 20th century --- Historical drama, American - History and criticism. --- World War, 1939-1945 - Literature and the war --- Judaism and literature - United States --- Tabori, George, - 1914-2007 - Dramatic works --- Tabori, George, - 1914-2007 - Knowledge - History --- Tabori, George, - 1914-2007
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